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James Joyce (Oxford Lives S), by Richard Ellmann
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Richard Ellmann has revised and expanded his definitive work on Joyce's life to include newly discovered primary material, including details of a failed love affair, a limerick about Samuel Beckett, a dream notebook, previously unknown letters, and much more.
- Sales Rank: #155488 in Books
- Published on: 1983-10-20
- Original language: English
- Number of items: 1
- Dimensions: 6.06" h x 1.74" w x 9.19" l, 2.90 pounds
- Binding: Paperback
- 887 pages
Amazon.com Review
Although several biographers have thrown themselves into the breach since this magisterial book first appeared in 1959, none have come close to matching the late Richard Ellmann's achievement. To be fair, Ellmann does have some distinct advantages. For starters, there's his deep mastery of the Irish milieu--demonstrated not only in this volume but in his books on Yeats and Wilde. He's also an admirable stylist himself--graceful, witty, and happily unintimidated by his brilliant subjects. But in addition, Ellmann seems to have an uncanny grasp on Joyce's personality: his reverence for the Irishman's literary accomplishment is always balanced by a kind of bemused affection for his faults. Whether Joyce is putting the finishing touches on Ulysses, falling down drunk in the streets of Trieste, or talking dirty to his future wife via the postal service, Ellmann's account always shows us a genius and a human being--a daunting enough task for a fiction writer, let alone the poor, fact-fettered biographer.
Review
"The genius of Ellmann's James Joyce is its abundance of detail--its wealth of anecdotes and letters, recovered conversations, and poems. It's a pleasure to salute this masterly book as it marches past again."--Newsweek
From the Back Cover
The fresh material deals with most aspects of Joyce's life: his writings and his attitude towards them, his experiences of love and desire, his domestic travails, his political views.
Most helpful customer reviews
53 of 53 people found the following review helpful.
It is impossible to praise this book too highly.
By Rodney Welch (philostrate@hotmail.com)
I've just finished reading this masterful biography, and it has had the magical effect of making me forget all others. This is a simply splendid book -- a life of the greatest writer of the 20th Century that is so scrupulously detailed that one leaves it feeling you personally know and like the subject. Joyce is presented to us from all sides -- as friend, husband, father, drinker, raconteur and most importantly, writer; a man with unparalleled control of the English language and no control of life or money. One measure of the book's genius is that it makes you feel quite close to Joyce toward the end -- as he gets ever blinder and broker, his energy used up by a book he knows will go unread and a daughter who is slowly succumbing to mental illness.
I think of this book now almost as part of the Joyce canon. I'm not sure you can really know Joyce without knowing Ellmann's Joyce, too.
14 of 15 people found the following review helpful.
A masterful biography of the enigmatic James Joyce.
By Jerry Clyde Phillips
Don't let the size of the book (including 67 pages of footnotes) daunt you; this is a beautifully written account of one of the most enigmatic figures in literature that combines precise scholarship with a straightforward narrative style into a model for the biographic form. Scholars of Joyce have undoubtedly read and re-read this book; however, for those readers who are just now approaching Joyce, or for those readers who have been frightened by the prospect, this biography will make the introduction painless as well as pleasant. Ellmann's biography treats every aspect of Joyce's life including family, friends, and the creative processs that resulted in his masterpieces. As Ellmann remarks in his preface: "In working over these pages, I have felt all my affection for him [Joyce] renewed." The reader of this judicious work will close the final page with this same sentiment.
27 of 32 people found the following review helpful.
When Irish Eyes Exile
By R. DelParto
Richard Ellmann's biography is the most definitive and complete examination of James Joyce that has been written. This extensive work examines Joyce's life from his birth to his death. Ellmann's narrative derives from Joyce's letters as well as accounts from Joyce's brother, Stanislaus. The book is most revealing in offering an understanding of the process it took for Joyce to come up with his most monumental works, ULYSSES AND FINNEGANS WAKE. Ellmann states that Joyce intentionally made it difficult for anyone to understand what he wrote. He wanted to keep his critics, academics and scholars, guessing of what significance his nonsensical gibberish creation represented. In addition, Ellmann intertwines events that occurred in Joyce's life that show how they closely resemble the characters in the works he produced, such as his early work, A PORTRAIT OF THE ARTIST AS A YOUNG MAN.
James Joyce most likely can be considered a "starving artist." He would go without a new pair of shoes until they wore down to the soles, but looked debonair and sophisticated with non-matching suits. In the beginning, he aspired to be a work within the realms of Jesuit studies, but later opted for a writing career that would take him from Trieste, Paris, and Zurich. Joyce struggled with poverty through out his life even as his most famous works were published. Monetary problems and health conditions that affected his eyesight never hindered his creative process. If he lost his eyesight, he probably would have continued to write blind. Joyce appeared to be an eccentric and stubborn man. However, Ellmann shows a caring and supporting man who loved his wife and children, and most of all, his father, John Stanislaus Joyce.
In terms to history and literature, Ellmann constantly references Joyce's fascination with Shakespeare, ancient civilization and history. This is best displayed in ULYSSES, but one significant footnote is that he did not appear to care for American history. He makes a minute reference to Ulysses S. Grant in ULYSSES, but he did not even know who the man was; Joyce loathed the United States. Also, Ellmann offers a birds-eye view of what his cohorts thought of his work. Gertrude Stein as well as Ernest Hemingway praised and envied Joyce's contributions to Modernism.
Ellmann examines a tremendous amount of information within his narrative. When one completes JAMES JOYCE, what else do you need to know about this genuine writer who used his craft as a means of getting back home, but never quite made it there? But he preferred Zurich and its snow-capped mountains as home rather than the complexities of his former Dublin. JAMES JOYCE is the springboard one needs when beginning a study of Joyce the man and his works, which should begin with PORTRAIT and ending with WAKE.
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